{"id":844,"date":"2026-10-17T13:13:56","date_gmt":"2026-10-17T10:13:56","guid":{"rendered":"https:\/\/rigalife.lv\/?post_type=rl_event&#038;p=844"},"modified":"2026-10-17T13:13:56","modified_gmt":"2026-10-17T10:13:56","slug":"riga-iff-isfilmas-utopijas-nav-ta-ir-utopija","status":"publish","type":"rl_event","link":"https:\/\/rigalife.lv\/index.php\/notikumi\/riga-iff-isfilmas-utopijas-nav-ta-ir-utopija\/","title":{"rendered":"RIGA IFF \u012bsfilmas: Utopijas nav &#8211; t\u0101 ir utopija"},"content":{"rendered":"<p><strong>INTERNATIONAL SHORT FILM COMPETITION<\/strong><br \/><strong>II seanss | Utopijas nav \u2013 t\u0101 ir utopija | 92\u2019<\/strong><br \/>BE, DE, CH, FR, GR, JP, US<br \/>2025, 2026<br \/>de, el, en, fr, ja  \u2013 ekr\u0101na valodas<br \/>en \u2013 subtitru valoda<br \/>Iesak\u0101m no 12 gadu vecuma <\/p>\n<p>\u201cUtopijas nav \u2013 t\u0101 ir utopija\u201d \u2013 \u0161\u012b ironisk\u0101 fr\u0101ze no Rainera Vernera Fasbindera pasaka, ka m\u016bs izmis\u012bgi piesaista kop\u012bbas ide\u0101li un nesasniedzami apv\u0101r\u0161\u0146i. <\/p>\n<p>\u012asfilm\u0101 \u201cSv\u0113t\u012bba\u201d b\u0101rs k\u013c\u016bst par Visuma centru \u2013 p\u0101rre\u0101lu, bet dro\u0161u telpu, kur\u0101 vienlaikus past\u0101v diena un nakts; kur\u0101 dejot un dz\u012bvot nep\u0101rtrauktas m\u016bzikas pavad\u012bb\u0101. Film\u0101 \u201cJa vien\u201d viena dz\u012bve nav pietiekama, jo skat\u012bt\u0101js var vienlaikus v\u0113rot vair\u0101kas realit\u0101tes, kas visrota\u013c\u012bg\u0101kajos veidos ir paral\u0113las vai p\u0101rkl\u0101jas. T\u0101s pa\u0161as kvantisk\u0101s \u012bpatn\u012bbas un nenoteikt\u012bba attiecas uz poliamoraj\u0101m attiec\u012bb\u0101m \u012bsfilm\u0101 \u201c\u0160\u0113nebergas sirds\u201d, iemiesojot to, ka ir iesp\u0113jams ar k\u0101du \u201cjusties tik tuvu un tik t\u0101lu\u201d. <\/p>\n<p>\u201cUtopija\u201d grie\u0137u valod\u0101 noz\u012bm\u0113 \u201cvieta, kura nepast\u0101v\u201d, un Saloniki, kas laika gait\u0101 ir main\u012bjusies un atdzimusi, k\u0101 pasaka priek\u0161\u0101 filmas nosaukums, nenoliedzami ir \u201cIl\u016bziju pils\u0113ta\u201d. Un Tokija, kas ir redzama \u012bsfilm\u0101 \u201cNovilkt tr\u012bs smalkas l\u012bnijas upes garum\u0101\u201d, noteikti ir pils\u0113tas ide\u0101ls \u2013 t\u0101lu no ierastaj\u0101m kli\u0161ej\u0101m un p\u0101rrad\u012bts dzej\u0101.<\/p>\n<p>Karolina Pod\u017ei, \u017donatans Vinels<br \/><strong>Sv\u0113t\u012bba<\/strong><br \/>The Blessing<br \/>FR, CH<br \/>2026, 24\u2019, fr<br \/>Iesak\u0101m no 12 gadu vecuma<br \/>Karolina Pod\u017ei, Anna Doti\u0146\u012b, 444 Films, Tristans Vaslo, Matj\u0113 Verh\u0101he, Tom\u0101 Verh\u0101he, Atelier de Production <\/p>\n<p>B\u0101rs, kas var\u0113tu b\u016bt maz\u0101, ide\u0101l\u0101 pasaule. Ned\u0113\u013cas dienas ir sajuku\u0161as, un k\u0101da sauji\u0146a cilv\u0113ku ir nol\u0113musi b\u016bt \u0161eit. \u012apa\u0161nieks virtuv\u0113 cep k\u016bkas, bet m\u016bzika nedr\u012bkst apst\u0101ties. \u0160\u012bs k\u0101rt\u012bbas uztur\u0113\u0161anai vajadz\u012bgs ritu\u0101ls: m\u016bzikai ir j\u0101skan, jo cit\u0101di var notikt kas briesm\u012bgs. \u0160aj\u0101 savdab\u012bgaj\u0101, no \u0101rpasaules izol\u0113taj\u0101 pasaul\u0113 m\u012bl\u0113t\u0101ji, vientu\u013cnieki un apjuku\u0161ie atgrie\u017eas dz\u012bv\u0113, apskaujas, kr\u012bt, savienojas un atkal piece\u013cas. <\/p>\n<p>Fran\u010di Pod\u017ei un Vinels str\u0101d\u0101 kop\u0101 vair\u0101kus gadus, iel\u016bkojoties absurd\u0101k\u0101j\u0101s cilv\u0113ku izpausm\u0113s un ied\u0113stot si\u017eetus starp re\u0101lo pasauli, sapni, videosp\u0113les lo\u0123iku un postapokaliptisku fant\u0101ziju. Re\u017eisoru tand\u0113ms veidojis ar Berlin\u0101les \u201cZelta l\u0101ci\u201d godalgoto \u012bsmfilmu \u201cKam\u0113r vien mums ir bises (2014), pilnmetr\u0101\u017eu \u201cAp\u0113st nakti\u201d (2024), kas tika izr\u0101d\u012bta Kannu \u201cRe\u017eisoru divned\u0113\u013c\u0101\u201d un daudzas citas. Turpret\u012b jaun\u0101kais darbs par bari\u0146u \u013cau\u017eu, kas izdejo m\u012blest\u012bbas vingrin\u0101jumus, iek\u013cauta Lokarno Starptautisk\u0101 kinofestiv\u0101la konkurs\u0101. K\u0101 pa\u0161i autori \u0161o ska\u0146u, ilgu un \u201csv\u0113t\u012bbas\u201d straumju piepild\u012bto darbu piesaka: \u201cT\u0101 es saku, ka m\u012blu tevi. Es iesl\u0113dzu m\u016bziku, un tas ir mans &#8220;es tevi m\u012blu&#8221;.\u201d<\/p>\n<p>Anastasija Melia Elefteriu<br \/><strong>Il\u016bziju pils\u0113ta<\/strong><br \/>City Of Illusions<br \/>GR, FR, US<br \/>2026, 11\u2019, el, en<br \/>Iesak\u0101m no 12 gadu vecuma<br \/>Anastasija Melia Elefteriu, Natenjels Dreipers <\/p>\n<p>M\u0113s dz\u0113\u0161am, p\u0101rrakst\u0101m, izmain\u0101m un rad\u0101m. Metro b\u016bvniec\u012bba Salonikos ilgusi vair\u0101k nek\u0101 20 gadus. Zin\u0101tnieki, politi\u0137i un daudzi citi mekl\u0113ju\u0161i un atraku\u0161i artefaktus ar v\u0113sturisko v\u0113rt\u012bbu \u2013 tie tika gan atrasti, gan noklus\u0113ti, gan ar\u012b pasl\u0113pti. \u0160\u012b pils\u0113ta ir past\u0101v\u012bgi dz\u0113susi savu garo pag\u0101tni, ielu pav\u0113der\u0113 izn\u0113s\u0101jot arvien jaunu &#8220;es&#8221;. Un tad k\u0101da sieviete tiek aicin\u0101ta atgriezties dzimten\u0113, lai gl\u0101btu to no lip\u012bgas amn\u0113zijas\u2026 <\/p>\n<p>Elefteriu ir pieredz\u0113jusi kuratore, publiciste un re\u017eisore, kuras filmas izr\u0101d\u012btas Edinburg\u0101, Kasel\u0113, Salonikos un citviet. K\u0101 raksta autore: \u201cKatru reizi, kad atgrie\u017eos, es ce\u013coju laik\u0101, cen\u0161oties &#8220;atsegt savas pag\u0101tnes apraktos st\u0101stus&#8221;. Katru reizi, kad aizeju, man ir j\u0101audz\u0113 jauns \u201ces\u201d.\u201d Fizisk\u0101 sl\u0101\u0146u atkl\u0101\u0161ana pils\u0113t\u0101 k\u013cuvusi par metaforu Elefteriu pag\u0101tn\u0113. Sadiedzot pils\u0113tu un veidojot dialogu ar Krisa M\u0101rkera zin\u0101tnisk\u0101s fantastikas \u012bsfilmu &#8220;Rampa&#8221; (1962), tapusi esejistiska, fantastiska un \u0137ermeniski alegoriska atmi\u0146u skice, kur\u0101 viss rada sevi.<\/p>\n<p>Ada Givenira<br \/><strong>Ja vien<\/strong><br \/>If Only<br \/>BE<br \/>2026, 6\u2019, nav dialoga<br \/>Bez vecuma ierobe\u017eojuma<br \/>Ada Givenira<\/p>\n<p>Modin\u0101t\u0101js. Pastaiga ar sun\u012bti park\u0101, bet dom\u0101s esi gult\u0101. Dirn\u0113\u0161ana pie kases veikal\u0101, bet dom\u0101s esi park\u0101. M\u0101j\u0101s uz pannas piedeg ola, bet dom\u0101s tu dirni pie kases veikal\u0101. St\u0101sts par atra\u0161anos vair\u0101k\u0101s realit\u0101t\u0113s vienlaikus \u2013 da\u017ereiz vien\u0101, da\u017ereiz vis\u0101s vienlaikus.<\/p>\n<p>Turku izcelsmes re\u017eisore Giveniras lakoniskais metahumors atbru\u0146o \u2013 m\u0113s visi vienlaikus esam \u0161eit, lasot \u0161o tekstu, un citur. Vizu\u0101l\u0101s m\u0101kslinieces un re\u017eisores miniat\u016bra pirmizr\u0101d\u012bta \u0160anhajas Starptautiskaj\u0101 kinofestiv\u0101l\u0101, kur ieguva lab\u0101k\u0101s anim\u0101cijas \u012bsfilmas balvu. Filma, kas veidota ar roku z\u012bm\u0113tas anim\u0101cijas tehnik\u0101, atg\u0101dina, ka katram ir nepiecie\u0161ams izlauzt \u201cceturto sienu\u201d un br\u012bvi p\u0101rvietoties pa sav\u0101m domu mandal\u0101m. Un no t\u0101 var san\u0101kt labs kino.<\/p>\n<p>Mikiho Endo, Natsuka Kusano<br \/><strong>Novilkt tr\u012bs smalkas l\u012bnijas upes garum\u0101<\/strong><br \/>\u5ddd\u306e\u9577\u3055\u306b\u307e\u3067\u81f3\u308b\u3001\u4e09\u884c\u306e\u8584\u3044\u3057\u308b\u3079\u3092\u5f15\u304f<br \/>JP<br \/>2026, 21\u2019, ja<br \/>Iesak\u0101m no 12 gadu vecuma<br \/>Mikiho Endo, Natsuka Kusano<\/p>\n<p>Pa kreisi ir rodama pils\u0113ta, bet pa labi pl\u016bst upe. Kas ir upe, kad domas steidz \u0101tr\u0101k par visu? Divas dzejnieces \u2013 Natsumi Aojagi un Nobunari Mizu\u0161ita \u2013 risina \u201cturp un atpaka\u013c\u201d sarunu un m\u0113\u0123ina pietuvoties upei. Abas apmain\u0101s ar tr\u012bsrindu dzejo\u013ciem, bet katra to rinda ir kompon\u0113ta t\u0101d\u0101 \u0101trum\u0101 un garum\u0101, lai var\u0113tu izstiepties l\u012bdz upes garumam. Vai varb\u016bt ar\u012b n\u0113.<\/p>\n<p>Diptihs, kura kreiso pusi re\u017eis\u0113jusi Endo, bet labo \u2013 Kusano. V\u0113rojot vienai otras film\u0113\u0161anas sesijas, autores savus kadru papildin\u0101ja, savstarp\u0113ji ietekm\u0113jot vienai otru \u2013 rezult\u0101t\u0101 tapusi po\u0113tiska apzi\u0146as pl\u016bsma, kas tuvin\u0101s dzejas rakst\u012b\u0161anas procesam. Tiesa, ir viens triks \u2013 abas puses tika projic\u0113tas uz vienas un t\u0101s pa\u0161as projekcijas virsmas pret\u0113j\u0101m pus\u0113m. T\u0101tad skat\u012bt\u0101js var\u0113s redz\u0113t vienu att\u0113lu vai otru, bet ne abus vienlaikus. S\u0101kotn\u0113ji veidota k\u0101 videoinstal\u0101cija kolekt\u012bva \u201cWhat Do You See From There?\u201d pasp\u0101rn\u0113, un \u0161\u012b ir jaun\u0101k\u0101 mont\u0101\u017eas versija.<\/p>\n<p>Lino \u0160tresers<br \/><strong>\u0160\u0113nebergas sirds<\/strong><br \/>Sch\u00f6neberger Herz<br \/>DE<br \/>2025, 30\u2019, de<br \/>Iesak\u0101m no 12 gadu vecuma<br \/>Lino \u0160tresers, University of the Arts Berlin<\/p>\n<p>Agrs pavasaris \u0160\u0113neberg\u0101. A\u013co\u0161a p\u0101rgu\u013c ar Levonu un vakar\u0101 par to past\u0101sta savai draudzenei. Dr\u012bz Jara po\u0161as uz It\u0101liju, jo r\u0101d\u012bs filmu Ven\u0113cij\u0101. No\u0113lijas uzman\u012bbas fokusu nomain\u012bjis jau k\u0101ds cits. Lai gan vi\u0146u ce\u013ci krustojas un visi dodas katrs sav\u0101 virzien\u0101, sav\u0101s pieredz\u0113s vi\u0146i paliek vieni.<\/p>\n<p>\u0160\u0113n\u0113berga savulaik bija mutu\u013cojo\u0161a, eksperiment\u0101la apkaime Veim\u0101ras republikas laik\u0101, tad Rietumberl\u012bnes politiskais centrs, bet m\u016bsdien\u0101s b\u016btiska LGBTQ+ v\u0113stures un kult\u016bras vieta. Te ar\u012b D\u017eons Kenedijs teica slaveno runu ar fr\u0101zi \u201cIch bin ein Berliner\u201d. Un ar\u012b \u0161eit v\u0101cu re\u017eisors \u0160tresers, kur\u0161 str\u0101d\u0101jis kop\u0101 ar t\u0101diem autoriem k\u0101 Angelu \u0160aneleku un Tomasu Arslanu, nol\u0113mis izsp\u0113l\u0113t silti patin\u0113tas daudzm\u012blest\u012bbas jeb poliamorijas st\u0101stu vinjetes. P\u0113cpusdienas \u201c\u010cankinas ekspresis&#8221; (1994) satiek Berl\u012bnes skolas trad\u012bciju, iem\u0113rcot pirkstus nepanesamaj\u0101 es\u012bbas vieglum\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>INTERNATIONAL SHORT FILM COMPETITIONII seanss | Utopijas nav \u2013 t\u0101 ir utopija | 92\u2019BE, DE, CH, FR, GR, JP, US2025, 2026de, el, en, fr, ja \u2013 ekr\u0101na valodasen \u2013 subtitru valodaIesak\u0101m no 12 gadu vecuma \u201cUtopijas nav \u2013\u2026<\/p>\n","protected":false},"featured_media":845,"template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"rl_event_category":[13],"class_list":["post-844","rl_event","type-rl_event","status-publish","has-post-thumbnail","hentry","rl_event_category-pasakumi"],"_links":{"self":[{"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/rl_event\/844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/rl_event"}],"about":[{"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/types\/rl_event"}],"version-history":[{"count":1,"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/rl_event\/844\/revisions"}],"predecessor-version":[{"id":846,"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/rl_event\/844\/revisions\/846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/media\/845"}],"wp:attachment":[{"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/media?parent=844"}],"wp:term":[{"taxonomy":"rl_event_category","embeddable":true,"href":"https:\/\/rigalife.lv\/index.php\/wp-json\/wp\/v2\/rl_event_category?post=844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}